sobota

I've been noticing that too many people are just so casual about everything these days. They had fun, they're kind of into gardening, they're friends with someone, their time in big sur was "really nice", they're "talking" to someone, or maybe casually went to a live show.
What about the fire that friend stirs in your lungs, or the way those sweeping green cliffs touch a shade of blue so surreal your eyes can hardly drink the color, or the way your garden makes you create and nurture and build, or how those tiny plants make you believe in more things than you once thought possible? What about the way you could melt into a persons voice because they feel like home and another dimension all at once, or how the sheer sound of that live guitar or beat cried the tears you never could due to an artist's years of practice, leaving you breathless and released?
Why do you like to paint? Because it's how you communicate the images that inhabit your heart. Why do you like to take the long way back? Because the car gives you a sense of freedom as though you're flying, and somehow feel adrenalized by every exit that whirls by. You taught your first class? That's beautiful because you overcame doubt. You introduced your 9 month old child to a puppy today? If that's not magic then I don't know what is.
Stop downplaying enthusiasm or apologizing for excitement. Enthusiasm and excitement are the very things that propel the world. Stop worrying about what others may think because you regularly drip passion while they play it "cool" and disenchanted. I can tell you with total confidence that although they may not ever admit this, those very folks secretly adore and envy your fire, but lack the courage to embody and drive it themselves.
If you love something, then really love it. If that trip, person, or afternoon opened up new worlds and mindsets, then by all means, write or paint or play about it, or maybe even tell someone, and tell it the way it really is, exactly how it feels. It is beautiful to feel in a body built for feeling, and exist intensely on a planet exuding intensity, because life in itself is both intense and beautiful. There's absolutely no need or reason to pretend otherwise.
Remember wonder. It's not something reserved for other places, times, or events. Wonder lives right here in the heart and thick of it all, always in the now. And it is anything but casual

środa

utwór roku

http://www.stereogum.com/1676039/shura-touch-delorean-remix-stereogum-premiere/mp3s/


something's changed and I don't know why.
And all I want to do is go home with you but 
I know I'm out of my mind.


shura, shuuuura...

czwartek


Komentarz nie jest potrzebny, więc cicho sza. kto wie, ten wie. kto nie, ten niech się dowiaduje. Oczywiście obowiązkowo Moonrise Kingdom wcześniej, bo mimo plejady gwiazd, Wes Anderson robi coś, co nie przebija jego poprzedniego dzieła.
 (Przeszła nam z towarzyszem myśl przez głowę, że skoro skopiowano całą obsadę oprócz Willisa, to pewnie przez Willisa.)

wtorek

relaks


hampstead heath

piątek

dysonans melodyczny

Ta sama rzecz, to samo odczucie nazwane podobnie ma inne znaczenie dla każdego z nas. Standard wypowiedzi jest zbliżony, standard odpowiedzi i argumentowania dzielą niezliczone ilości kilometrów. Bezwarunkowe odruchy naszych ramion czy stóp, bioder spotykają się podczas niespokojnej drzemki. Zachłanne dłonie sciskają Twoje ciało żeby mocniej odczuć Cię teraz. Powtarzalnie wydawało by się, chociaż nie wszystko jest starym i znanym.

W innym pomieszczeniu wzrok jest zgodny, zrozumiały, tęskny i analizujący. w innym jest zupełnie niedopasowany i trzeba prosić o wyjaśnienie

Dopasowanie ciała i umysłu wydaje się spełnieniem i złudnie daje poczucie dobrej zdobyczy, dobrego serca i dobrych intencji. Emocjonalne rozregulowanie jest jak prawie niezauważalny, choć na dłuższą metę męczący tik nerwowy.

Ale, proszę słuchać uważnie. Szybkie odnalezienie się w nowej sytuacji cieszy i daje powód do intensywnej, choć krótkiej fascynacji. Będąc w fazie pierwszej, nie podejmę się spekulowania, co będzie działo się dalej. łatwo jednak domyślić się tego, a to nasuwa tylko jeden wniosek: lecz się

środa







 my beginnings in the field of graphic design.





środa

plan



"The curious Incident of the dog in the night time"  and "All My Sons" in Apollo Theatre
-Hampstead Heath and Richmond Park
- Baker Street (polaroid project)
- Marylebone's and Parliament Hill farmers' markets 
- Waterloo Bridge
- Museum of brands, packaging and advertising in Notting Hill
- East End Thrift Store (Unit 1A Watermans Building, Assembly Passage, London, E1 4UT)- The Tea Rooms (146 Brick Lane)
- Filthy's open mic night (274 Holloway Rd)

piątek



























5 odcinków
chwyta mnie za serce


poniedziałek

nadrobić

Inside Llewyn Davis

Nebraska

American Hustle

Her

Mud


i..

czwartek

Pure Joy



Kiedy nikogo nie ma w domu, podłączam laptopa do dużego ekranu, siadam na podłodze albo w fotelu i słucham tego koncertu. Jestem zakochana w muzyce symfonicznej, jestem zakochana w tym głosie. Został mi ostatni papieros i dwie godziny nagrania





...


wtorek

Mistycy zawsze wiedzieli, że życie nie kieruje się żadną logiką, jest w zasadzie ponad nią, nie kieruje się rozumem i wydaje się z gruntu irracjonalne. Sumienie jest bardzo arbitralne i sztuczne. Daje nam ustalone wzorce, określoną postać, a życie wciąż się zmienia. Jest bardzo zmienne i porusza się zygzakiem. Jeśli nie jesteśmy tego śwadomi, nie będziemy w stanie prawdziwie żyć. Nasze życie będzie tylko udawaniem, czymś fałszywym. Zawsze będziemy spóźniać się na pociąg.

poniedziałek

Nie ma ani myśli, ani gotowego słowa, które należy wypowiadać w tym czasie. Jedynym wspomnieniem, które pamięć przywołuje są wody L'Ardeche - rzeki bardzo łaskawej i dobrej, jak sama rzeka Fly.


czwartek


mam do ludzi szczęście

sobota

So, I lost my                                     head a while ago
But               you seem to have done no better

                         We set fire in the snow
It ain’t over I’m not done

Some do magic
s                      ome do harm
I’m hold                                         ing on holding on
I’m          holding on to a straw

Who is t              he Alpha
What is made of cloth
How do you say                         you’re sorry and there’s nothing
to be                         afraid of

Is it             dark already
                                  How light is a light
                               Do you laugh while screaming
          Is it cold outside

One              thing I know for certain
I’m pretty                                                                sure
It ain’t                        over
I’m                                                        not                                     done

środa

bez żartów

zamiast pić w parkach, czytam książki. i w mokotowskich kawiarniach jest na to dowód.



poniedziałek

środa

ćmy barowe

Edward Hopper - Nighthawks
84 x 152 cm

w sercu czuję zawsze niedokończoną historię, którą można opowiadać sobie od nowa. mój ulubiony!

poniedziałek

objawienia

jak to jest mieć w sobie taką niezwykłą moc
na wpół świadomie
lat 17

?


Sonju, jadę po Ciebie


czwartek

pola mokotowskie
K

wtorek

area talents




kiedy robi się ciężko, a studia nie wychodzą, miło dostać informację, że Twoje zapieprzanie w projekcie zostaje docenione. 

sobota

dziś

Zapraszam wszystkich w neonowe zakątki na Mińskiej 25 przy Soho Factory. Moja ostatnia wizyta kilka dni temu skutkuje tym, że nie wyobrażam sobie opuścić tego punktu na szlaku muzealnych rozkoszy. Będzie muzyka, będą neony i cudowni ludzie.


(w fazie przygotowań)
 

środa

wecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeghostsnowwecanbeg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wtorek

nie ma mnie w tym świecie....




Caught between the shadow dancing of the day
And of the sweltering charm of midnight cabaret
Straight okay
Come walk me
You find out who i am

poniedziałek

Shooting an Elephant [G. Orwell]


Nie byłam w stanie dokończyć analizy opowiadania. Gratuluję mojemu wykładowcy, autorowi i otaczającej rzeczywistości.


In Moulmein, in Lower Burma, I was hated by large numbers of people — the only time in my life that I have been important enough for this to happen to me. I was sub-divisional police officer of the town, and in an aimless, petty kind of way anti-European feeling was very bitter. No one had the guts to raise a riot, but if a European woman went through the bazaars alone somebody would probably spit betel juice over her dress. As a police officer I was an obvious target and was baited whenever it seemed safe to do so. When a nimble Burman tripped me up on the football field and the referee (another Burman) looked the other way, the crowd yelled with hideous laughter. This happened more than once. In the end the sneering yellow faces of young men that met me everywhere, the insults hooted after me when I was at a safe distance, got badly on my nerves. The young Buddhist priests were the worst of all. There were several thousands of them in the town and none of them seemed to have anything to do except stand on street corners and jeer at Europeans.
All this was perplexing and upsetting. For at that time I had already made up my mind that imperialism was an evil thing and the sooner I chucked up my job and got out of it the better. Theoretically — and secretly, of course — I was all for the Burmese and all against their oppressors, the British. As for the job I was doing, I hated it more bitterly than I can perhaps make clear. In a job like that you see the dirty work of Empire at close quarters. The wretched prisoners huddling in the stinking cages of the lock-ups, the grey, cowed faces of the long-term convicts, the scarred buttocks of the men who had been flogged with bamboos — all these oppressed me with an intolerable sense of guilt. But I could get nothing into perspective. I was young and ill-educated and I had had to think out my problems in the utter silence that is imposed on every Englishman in the East. I did not even know that the British Empire is dying, still less did I know that it is a great deal better than the younger empires that are going to supplant it. All I knew was that I was stuck between my hatred of the empire I served and my rage against the evil-spirited little beasts who tried to make my job impossible. With one part of my mind I thought of the British Raj as an unbreakable tyranny, as something clamped down, in saecula saeculorum, upon the will of prostrate peoples; with another part I thought that the greatest joy in the world would be to drive a bayonet into a Buddhist priest's guts. Feelings like these are the normal by-products of imperialism; ask any Anglo-Indian official, if you can catch him off duty.
One day something happened which in a roundabout way was enlightening. It was a tiny incident in itself, but it gave me a better glimpse than I had had before of the real nature of imperialism — the real motives for which despotic governments act. Early one morning the sub-inspector at a police station the other end of the town rang me up on the phone and said that an elephant was ravaging the bazaar. Would I please come and do something about it? I did not know what I could do, but I wanted to see what was happening and I got on to a pony and started out. I took my rifle, an old .44 Winchester and much too small to kill an elephant, but I thought the noise might be useful in terrorem. Various Burmans stopped me on the way and told me about the elephant's doings. It was not, of course, a wild elephant, but a tame one which had gone ‘must’. It had been chained up, as tame elephants always are when their attack of ‘must’ is due, but on the previous night it had broken its chain and escaped. Its mahout, the only person who could manage it when it was in that state, had set out in pursuit, but had taken the wrong direction and was now twelve hours’ journey away, and in the morning the elephant had suddenly reappeared in the town. The Burmese population had no weapons and were quite helpless against it. It had already destroyed somebody's bamboo hut, killed a cow and raided some fruit-stalls and devoured the stock; also it had met the municipal rubbish van and, when the driver jumped out and took to his heels, had turned the van over and inflicted violences upon it.
The Burmese sub-inspector and some Indian constables were waiting for me in the quarter where the elephant had been seen. It was a very poor quarter, a labyrinth of squalid bamboo huts, thatched with palmleaf, winding all over a steep hillside. I remember that it was a cloudy, stuffy morning at the beginning of the rains. We began questioning the people as to where the elephant had gone and, as usual, failed to get any definite information. That is invariably the case in the East; a story always sounds clear enough at a distance, but the nearer you get to the scene of events the vaguer it becomes. Some of the people said that the elephant had gone in one direction, some said that he had gone in another, some professed not even to have heard of any elephant. I had almost made up my mind that the whole story was a pack of lies, when we heard yells a little distance away. There was a loud, scandalized cry of ‘Go away, child! Go away this instant!’ and an old woman with a switch in her hand came round the corner of a hut, violently shooing away a crowd of naked children. Some more women followed, clicking their tongues and exclaiming; evidently there was something that the children ought not to have seen. I rounded the hut and saw a man's dead body sprawling in the mud. He was an Indian, a black Dravidian coolie, almost naked, and he could not have been dead many minutes. The people said that the elephant had come suddenly upon him round the corner of the hut, caught him with its trunk, put its foot on his back and ground him into the earth. This was the rainy season and the ground was soft, and his face had scored a trench a foot deep and a couple of yards long. He was lying on his belly with arms crucified and head sharply twisted to one side. His face was coated with mud, the eyes wide open, the teeth bared and grinning with an expression of unendurable agony. (Never tell me, by the way, that the dead look peaceful. Most of the corpses I have seen looked devilish.) The friction of the great beast's foot had stripped the skin from his back as neatly as one skins a rabbit. As soon as I saw the dead man I sent an orderly to a friend's house nearby to borrow an elephant rifle. I had already sent back the pony, not wanting it to go mad with fright and throw me if it smelt the elephant.
The orderly came back in a few minutes with a rifle and five cartridges, and meanwhile some Burmans had arrived and told us that the elephant was in the paddy fields below, only a few hundred yards away. As I started forward practically the whole population of the quarter flocked out of the houses and followed me. They had seen the rifle and were all shouting excitedly that I was going to shoot the elephant. They had not shown much interest in the elephant when he was merely ravaging their homes, but it was different now that he was going to be shot. It was a bit of fun to them, as it would be to an English crowd; besides they wanted the meat. It made me vaguely uneasy. I had no intention of shooting the elephant — I had merely sent for the rifle to defend myself if necessary — and it is always unnerving to have a crowd following you. I marched down the hill, looking and feeling a fool, with the rifle over my shoulder and an ever-growing army of people jostling at my heels. At the bottom, when you got away from the huts, there was a metalled road and beyond that a miry waste of paddy fields a thousand yards across, not yet ploughed but soggy from the first rains and dotted with coarse grass. The elephant was standing eight yards from the road, his left side towards us. He took not the slightest notice of the crowd's approach. He was tearing up bunches of grass, beating them against his knees to clean them and stuffing them into his mouth.
I had halted on the road. As soon as I saw the elephant I knew with perfect certainty that I ought not to shoot him. It is a serious matter to shoot a working elephant — it is comparable to destroying a huge and costly piece of machinery — and obviously one ought not to do it if it can possibly be avoided. And at that distance, peacefully eating, the elephant looked no more dangerous than a cow. I thought then and I think now that his attack of ‘must’ was already passing off; in which case he would merely wander harmlessly about until the mahout came back and caught him. Moreover, I did not in the least want to shoot him. I decided that I would watch him for a little while to make sure that he did not turn savage again, and then go home.
But at that moment I glanced round at the crowd that had followed me. It was an immense crowd, two thousand at the least and growing every minute. It blocked the road for a long distance on either side. I looked at the sea of yellow faces above the garish clothes-faces all happy and excited over this bit of fun, all certain that the elephant was going to be shot. They were watching me as they would watch a conjurer about to perform a trick. They did not like me, but with the magical rifle in my hands I was momentarily worth watching. And suddenly I realized that I should have to shoot the elephant after all. The people expected it of me and I had got to do it; I could feel their two thousand wills pressing me forward, irresistibly. And it was at this moment, as I stood there with the rifle in my hands, that I first grasped the hollowness, the futility of the white man's dominion in the East. Here was I, the white man with his gun, standing in front of the unarmed native crowd — seemingly the leading actor of the piece; but in reality I was only an absurd puppet pushed to and fro by the will of those yellow faces behind. I perceived in this moment that when the white man turns tyrant it is his own freedom that he destroys. He becomes a sort of hollow, posing dummy, the conventionalized figure of a sahib. For it is the condition of his rule that he shall spend his life in trying to impress the ‘natives’, and so in every crisis he has got to do what the ‘natives’ expect of him. He wears a mask, and his face grows to fit it. I had got to shoot the elephant. I had committed myself to doing it when I sent for the rifle. A sahib has got to act like a sahib; he has got to appear resolute, to know his own mind and do definite things. To come all that way, rifle in hand, with two thousand people marching at my heels, and then to trail feebly away, having done nothing — no, that was impossible. The crowd would laugh at me. And my whole life, every white man's life in the East, was one long struggle not to be laughed at.
But I did not want to shoot the elephant. I watched him beating his bunch of grass against his knees, with that preoccupied grandmotherly air that elephants have. It seemed to me that it would be murder to shoot him. At that age I was not squeamish about killing animals, but I had never shot an elephant and never wanted to. (Somehow it always seems worse to kill a large animal.) Besides, there was the beast's owner to be considered. Alive, the elephant was worth at least a hundred pounds; dead, he would only be worth the value of his tusks, five pounds, possibly. But I had got to act quickly. I turned to some experienced-looking Burmans who had been there when we arrived, and asked them how the elephant had been behaving. They all said the same thing: he took no notice of you if you left him alone, but he might charge if you went too close to him.
It was perfectly clear to me what I ought to do. I ought to walk up to within, say, twenty-five yards of the elephant and test his behavior. If he charged, I could shoot; if he took no notice of me, it would be safe to leave him until the mahout came back. But also I knew that I was going to do no such thing. I was a poor shot with a rifle and the ground was soft mud into which one would sink at every step. If the elephant charged and I missed him, I should have about as much chance as a toad under a steam-roller. But even then I was not thinking particularly of my own skin, only of the watchful yellow faces behind. For at that moment, with the crowd watching me, I was not afraid in the ordinary sense, as I would have been if I had been alone. A white man mustn't be frightened in front of ‘natives’; and so, in general, he isn't frightened. The sole thought in my mind was that if anything went wrong those two thousand Burmans would see me pursued, caught, trampled on and reduced to a grinning corpse like that Indian up the hill. And if that happened it was quite probable that some of them would laugh. That would never do.
There was only one alternative. I shoved the cartridges into the magazine and lay down on the road to get a better aim. The crowd grew very still, and a deep, low, happy sigh, as of people who see the theatre curtain go up at last, breathed from innumerable throats. They were going to have their bit of fun after all. The rifle was a beautiful German thing with cross-hair sights. I did not then know that in shooting an elephant one would shoot to cut an imaginary bar running from ear-hole to ear-hole. I ought, therefore, as the elephant was sideways on, to have aimed straight at his ear-hole, actually I aimed several inches in front of this, thinking the brain would be further forward.
When I pulled the trigger I did not hear the bang or feel the kick — one never does when a shot goes home — but I heard the devilish roar of glee that went up from the crowd. In that instant, in too short a time, one would have thought, even for the bullet to get there, a mysterious, terrible change had come over the elephant. He neither stirred nor fell, but every line of his body had altered. He looked suddenly stricken, shrunken, immensely old, as though the frightful impact of the bullet had paralysed him without knocking him down. At last, after what seemed a long time — it might have been five seconds, I dare say — he sagged flabbily to his knees. His mouth slobbered. An enormous senility seemed to have settled upon him. One could have imagined him thousands of years old. I fired again into the same spot. At the second shot he did not collapse but climbed with desperate slowness to his feet and stood weakly upright, with legs sagging and head drooping. I fired a third time. That was the shot that did for him. You could see the agony of it jolt his whole body and knock the last remnant of strength from his legs. But in falling he seemed for a moment to rise, for as his hind legs collapsed beneath him he seemed to tower upward like a huge rock toppling, his trunk reaching skyward like a tree. He trumpeted, for the first and only time. And then down he came, his belly towards me, with a crash that seemed to shake the ground even where I lay.
I got up. The Burmans were already racing past me across the mud. It was obvious that the elephant would never rise again, but he was not dead. He was breathing very rhythmically with long rattling gasps, his great mound of a side painfully rising and falling. His mouth was wide open — I could see far down into caverns of pale pink throat. I waited a long time for him to die, but his breathing did not weaken. Finally I fired my two remaining shots into the spot where I thought his heart must be. The thick blood welled out of him like red velvet, but still he did not die. His body did not even jerk when the shots hit him, the tortured breathing continued without a pause. He was dying, very slowly and in great agony, but in some world remote from me where not even a bullet could damage him further. I felt that I had got to put an end to that dreadful noise. It seemed dreadful to see the great beast Lying there, powerless to move and yet powerless to die, and not even to be able to finish him. I sent back for my small rifle and poured shot after shot into his heart and down his throat. They seemed to make no impression. The tortured gasps continued as steadily as the ticking of a clock.
In the end I could not stand it any longer and went away. I heard later that it took him half an hour to die. Burmans were bringing dash and baskets even before I left, and I was told they had stripped his body almost to the bones by the afternoon.
Afterwards, of course, there were endless discussions about the shooting of the elephant. The owner was furious, but he was only an Indian and could do nothing. Besides, legally I had done the right thing, for a mad elephant has to be killed, like a mad dog, if its owner fails to control it. Among the Europeans opinion was divided. The older men said I was right, the younger men said it was a damn shame to shoot an elephant for killing a coolie, because an elephant was worth more than any damn Coringhee coolie. And afterwards I was very glad that the coolie had been killed; it put me legally in the right and it gave me a sufficient pretext for shooting the elephant. I often wondered whether any of the others grasped that I had done it solely to avoid looking a fool.
1936
THE END

piątek

Pari Pari / 21:00



dziś znów będę Matyldą

czwartek

dziennik 9.10.63

tylko tak, jak opuściłeś teatr i to przedstawienie
 tylko tak i tylko od tego coś się zaczyna
na nowo


dziękuję za uwagę,
uszanowanie!


All round me burdensSeem to fallI'm not worried at allI'm not worried



poniedziałek

river

emocje opadły, a Ty śniłeś mi się ostatnio.

szuszuzbuszu


czwartek

środa

BECAUSE WE CAN - THE TOUR





trochę wieje popem, ale jesteśmy dziewczynkami i lubimy się bawić, podoba nam się John, dostaniemy jedzenie i alkohol, do tego wszystkiego dochodzi jedno z piękniejszych miast w Polsce. 

wtorek

words of wisdom


Jak zawsze w sedno, jak zawsze dostaję to, czego sama nie umiem ubrać w słowa. Mam szczęście, że trafiam na tyle dobrych ludzi.

Stawanie się człowiekiem to proces porzucania cech odzwierzęcych, jak władza i zaznaczanie swojego terenu łownego, tańce godowe, stroszenie piór i puszenie, rozmnażanie i moszczenie gniazda -legowiska, robienie zapasów na przyszłość i wiele wiele innych, na rzecz oddawania siebie innym, rozwijania duchowości, głębi, poczucia piękna, intuicji, bezinteresowności, poświęcenia, tolerancyjności i ufności i wielu innych, zwanych przez mądrali naiwną wiarą w ideały.
Ilu jest według Ciebie prawdziwych ludzi na Ziemi? Czy kwoki, koty, psy i inne orły to na pewno są ludzie? Rozróżniaj ich, a znajdziesz odpowiedź na pytanie o prawdę, której łakniesz.
                                                            G.